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Princess of 72nd Street
Princess of 72nd Street
This remarkable novel by Elaine Kraf received almost no attention when it was first published in 1979. For whatever reasons, America was not ready for this dream-like look at life inside the head of a young woman, a struggling artist, living in New York's Upper West Side and coping with the ravages of manic-depression.

Not only did Kraf take on a dark and disturbing subject, she did so in an utterly original, witty, and inventive manner-a provocative move, even in the liberated culture of the 1970s. And, while others have since expanded upon the territory that Kraf was mining, one still has to go as far back as the early down-and-out-in-Paris novels of Jean Rhys to find a writer who so boldly and honestly portrays a smart, sardonic, attractive, but deeply troubled woman fighting to survive on her own in the city....

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Library of History – Books XIV–XV,19 L399 V 6 (Trans. Oldfather)(Greek)
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First Person – New Media as Story, Performance and  Game
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Tomcat: The Definitive Guide 2e
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The Invention of Law in the West
The Invention of Law in the West
Law is a specific form of social regulation distinct from religion, ethics, and even politics, and endowed with a strong and autonomous rationality. Its invention, a crucial aspect of Western history, took place in ancient Rome. Aldo Schiavone, a world-renowned classicist, reconstructs this development with clear-eyed passion, following its course over the centuries, setting out from the earliest origins and moving up to the threshold of Late Antiquity.

The invention of Western law occurred against the backdrop of the Roman Empire's gradual consolidation?an age of unprecedented accumulation of power which transformed an archaic predisposition to ritual into an unrivaled technology for the control of human dealings. Schiavone offers us a closely reasoned interpretation that returns us to the primal origins of Western legal machinery and the discourse that was constructed around it?formalism, the pretense of neutrality, the relationship with political power. This is a landmark work of scholarship whose influence will be felt by classicists, historians, and legal scholars for decades.


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The United States Marine Corps Workout Rev
The United States Marine Corps Workout Rev
You want to get fit? Tell it to the Marines! This authentic, inside look at the physical fitness training programs of the United States Marine Corps is guaranteed to get you in the best shape of your life. Whether you are a Marine, plan to be a Marine, or just want to be as tough as a Marine, you’ll discover how to get in top physical condition....

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Fantastic Reality: Louise Bourgeois and a Story of Modern Art
Fantastic Reality: Louise Bourgeois and a Story of Modern Art
The art of Louise Bourgeois stages a dynamic encounter between modern art and psychoanalysis, argues Mignon Nixon in the first full-scale critical study of the artist's work. A pivotal figure in twentieth-century art, Louise Bourgeois emigrated to New York in 1938 and is still actively working and exhibiting today. From Bourgeois's formative struggle with the "father figures" of surrealism, including Andre Breton and Marcel Duchamp, to her galvanizing role in the feminist art movement of the 1970s, to her subsequent emergence as a leading voice in postmodernism, this book explores the artist's responses to war, dislocation, and motherhood, to the predicament of the "woman artist" and the politics of sexual and social liberation, as a dialogue with psychoanalysis. Convinced that she could express "deeper things in three dimensions," Bourgeois abandoned painting for sculpture in the 1940s, founding her art in one of the twentieth century's most radical and controversial accounts of subjectivity, the object relations psychoanalysis of Melanie Klein. Rejecting the Oedipal narratives of Freud and the dream imagery of surrealism for the object world of the infantile drives, Bourgeois turned to the child analysis pioneered by Klein, the figure Julia Kristeva has called "the boldest reformer in the history of modern psychoanalysis." With Klein, Bourgeois thinks the negative - fragmentation, splitting, and formlessness - where we might least expect to find it, in the corporeal fantasies of mother and child. This turn to the mother and the death drive at once in child psychoanalysis, Nixon contends, not only finds powerful expression in Bourgeois's art, but is echoed in the work of other artists, including Marcel Duchamp, Jasper Johns, Yayoi Kusama, and Eva Hesse, and in a return to Klein in recent art. "Fantastic reality," Bourgeois calls the condition of her art. Starting from Bourgeois's investigation, through a multiplicity of forms and materials, of the problem of subjectivity on the very threshold of emergence, this book argues for a new psychoanalytic story of modern art....

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