ВУЗы Москвы, ВУЗы России
Институт геоэкологии им.Сергеева, Научные организации РАН
Российская академия наук. Высшие учебные заведения РАН.
Институт геоэкологии им. Е.М. Сергеева

Адрес: 101000 Москва, Уланский пер., 13, стр. 2

Адрес интернет-сайта: www.geoenv.ru

Тел. (495) 623-31-11, факс: (495) 623-18-86

Электронная почта: direct@geoenv.ru

Директор: ак. Осипов Виктор Иванович

Тел. (495) 623-31-11, факс: (495) 623-18-86

Заместитель по научной работе: д.г.н. Викторов Алексей Сергеевич

Тел. (495) 607-40-93

е-mail: dist@geoenv.ru

Заведующий аспирантурой: ученый секретарь к.г.-м.н. Румянцева Надежда Алексеевна

Тел. (495) 623-31-11

e-mail: direct@geoenv.ru

Наименование отраслей науки и шифры специальностей научных работников, по которым функционирует аспирантура:

25.00.00 - науки о Земле: 25.00.07, 25.00.08, 25.00.10, 25.00.36

Шифры специальностей, по которым функционируют докторские диссертационные советы:

25.00.00 - науки о Земле: 25.00.08, 25.00.36

Перечень основных научных направлений

Проведение фундаментальных исследований в области геоэкологии, инженерной геологии, гидрогеологии, геокриологии и инженерной геофизики.

Разработка теории, методов изучения, прогнозирования и мониторинга опасных природных и техноприродных процессов и явлений; оценка и управление природными рисками.

Исследование закономерностей формирования состава и динамики подземных вод; охрана подземных вод.

Развитие теории формирования и изменения свойств горных пород и их массивов.

Исследование эволюции геологической среды под влиянием комплекса природных и техногенных факторов при различных видах хозяйственного освоения территорий.

Изучение геоэкологических проблем г. Москвы и других крупных городских агломераций.

2009 Справочник подготовлен коллективом сотрудников Управления кадров РАН под руководством вице-президента РАН академика В.В. Козлова.
Т.И. Пугачева, Э.З. Конторовский, Т.П. Полякова,
Г.А. Елкина, Ю.И. Иванова, Т.В. Степанова

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Высшее профессиональное образование [2005] 305040 г.Курск, ул.50 лет Октября
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Search Results from «Озон» Академическая литература
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In this tenth collection, Stephen Dunn turns his "wise, well-practiced eye" (Library Journal) on an America growing ever more stringent with its daily mercies. Not content merely to observe the world, Dunn's stance is always dual, complicit. And as he navigates through each paradox of his moral and aesthetic and erotic selves, this poet, described by Sydney Lea as one "who remains open to contradictions," travels to a place of exact and complicated vision....

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Bending the Bow
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In Bending the Bow, which presents his work in poetry since Roots and Branches, Robert Duncan is writing on a scale which places him among the poets, after Walt Whitman, bold enough to attempt the personal epic, the large-canvas rendering of man's spirit in history as one man sees it, feels it, lives it, and makes it his own. In Structures of Rime, the open series begun in The Opening of the Field and continued in this volume, Duncan works with ideas, forces, and persons created in language itself - the life and identity of the poet in the poem. With the first thirty poems of Passages, which form the structural base in Bending the Bow, he has begun a second open series - a multiphasic projection of movements in a field, an imagined universe of the poem that moves out to include all the terms of experience as meaning. Here Duncan draws upon and in turn contributes to a mode in American poetry where Pound's Cantos, Williams's Paterson, Zukofsky's "A", and Olson's Maximus Poems have led the way.
The chronological composition of Bending the Bow emphasizes Duncan's belief that the significance of form is that of an event in process. Thus, the poems of the two open series belong ultimately to the configuration of a life in poetry in which there are forms moving within and interpenetrating forms. Versions of Verlaine's Saint Craal and Parsifal and a translation of Gerard de Nerval's Les Chimeres enter the picture; narrative bridges for the play Adam's Way have their place in the process; and three major individual poems - "My Mother Would Be a Falconress", "A Shrine to Ameinias", and "Epilogos" - among others make for an interplay of frames of reference and meaning in which even such resounding blasts of outrage at the War in Viet-Nam as "Up Rising" and "The Soldiers" are not for the poet things in themselves but happenings in a poetry that involve all other parts of his experience....

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Get Me Out: A History of Childbirth from the Garden of Eden to the Sperm Bank
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Making and having babies-what it takes to get pregnant, stay pregnant, and deliver-has mystified women and men for the whole of human history. The birth gurus of ancient times told newlyweds that simultaneous orgasms were necessary for conception and that during pregnancy a woman should drink red wine but not too much and have sex but not too frequently. Over the last one hundred years, depending on the latest prevailing advice, women have taken morphine, practiced Lamaze, relied on ultrasound images, sampled fertility drugs, and shopped at sperm banks. In Get Me Out, the insatiably curious Randi Hutter Epstein journeys through history, fads, and fables, and to the fringe of science, where audacious researchers have gone to extreme measures to get healthy babies out of mothers. Here is an entertaining must-read-and an enlightening celebration of human life....

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This welcome volume encompasses the entire history of the bassoon, from its origins five centuries ago to its place in 21st-century music. James Kopp draws on new archival research and many years of experience playing the instrument to provide an up-to-date and lively portrait of today's bassoon and its intriguing predecessors. He discusses the bassoon's makers, its players, its repertory and its audiences, all in unprecedented detail. The author examines the acoustical consequences of various design changes to the bassoon, from its invention in 16th-century Italy, through its redesign in 17th-century France as a four-piece instrument, to the dominance of the Heckel-system bassoon in the early 21st century. He also offers new coverage of the bassoon's social history, including its roles in the military and the church and its global use during the European Colonial period. Separate historical chapters devoted to contrabassoons and smaller bassoons complete the volume....

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