ВУЗы Москвы, ВУЗы России
Программы «Менеджмент организации» Юго-Западного государственного университета [2011] 305040 г.Курск, ул.50 лет Октября

Услуга образовательная по специальности 061100 (080507.65) «Менеджмент организации», предоставляемая кафедрой региональной экономики и менеджмента Юго-Западного государственного университета

Услуги для населения 2011 год

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Программа подготовки менеджеров. Включает в себя изучение таких дисциплин, как: микро- и макроэкономика, основы социального государства, государственное и муниципальное управление, социально-экономическое прогнозирование, методы принятия управленческих решений, экономико-математические методы, Интернет-технологии бизнеса, финансовый менеджмент, теория менеджмента, маркетинг, стратегический менеджмент, управление изменениями, управление проектами, налоговый менеджмент, антикризисное управление. Выпускники могут прогнозировать и планировать производственную деятельность; управлять финансами предприятий; разработать стратегию развития организации; разработать и реализовать различные проекты.

Компания: ФГБОУ ВПО «ЮГО-ЗАПАДНЫЙ ГОСУДАРСТВЕННЫЙ УНИВЕРСИТЕТ»
Адрес: 305040 г. Курск, ул. 50 лет Октября, д. 94

Телефон: (4712) 50-48-20

Факс: (4712) 50-47-99, 50-48-00

E-mail:rector@swsu.ru

Официальный сайт: www.swsu.ru


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Московский институт экономики, менеджмента и права
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The larger pan of this classic symposium on the poetry of Gerard Manley Hopkins was originally assembled as a special number of The Kenyon Review to celebrate in 1944 the centenary of the poet's birth, and then published in the New Directions "Makers of Modern Literature" series. Austin Warren contributes a biographical sketch and a study of Hopkins's debt to traditional verse forms. Marshall McLuhan explores the ideas behind the poet's symbols and images. Harold Whitehall analyzes his famous "sprung rhythm," Josephine Miles the characteristics of his idiom. Robert Lowell emphasizes his religious nature, Arthur Mizener his Victorian heritage. And F.R. Leavis discusses the metaphysical character of his poems....

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In both poetry and prose, the editors have chosen selections intended to give readers a clear sense of Rich's evolution and accomplishment. Many of the poems in this expanded collection are from Rich's five recent volumes - The Dream of a Common Language (1978), A Wild Patience Has Taken Me This Far (1981), Your Native Land, Your Life (1986), Time's Power: Poems 1985-1988 (1989), and An Atlas of the Difficult World (1991). Prose selections include "When We Dead Awaken: Writing as Re-Vision," Rich's canonical statement on feminism; "Compulsory Heterosexuality and Lesbian Existence," on being a lesbian in a heterosexual world; Rich's interview for American Poetry Review, which presents a full and frank discussion of her work; and her previously unpublished commentary on the genesis of the poem "Yom Kippur 1984." The editors have also taken into account the many essays on Rich and reviews of her work that have been published since 1975. Some earlier biographical selections have been replaced with works that focus on the quality of Rich's writing and her place in twentieth-century American literature - not just as a poet, but as a woman, a lesbian, and a mother. Criticism includes thirteen reviews and interpretations of Rich's work by W. H. Auden, John Ashbery, Margaret Atwood, Helen Vendler, Judith McDaniel, Adrian Oktenberg, Charles Altieri, and Joanna Feit Diehl, among others. A second recent study by Albert Gelpi traces the events in Rich's life from which her work evolves. An updated Chronology and Selected Bibliography, as well as an expanded Index, are included....

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Just as Carl Andre's sculptures are "cuts" of elemental materials, his writings are condensed expressions, "cuts" of language that emphasize the part rather than the whole. Andre, a central figure in minimalism and one of the most influential sculptors of our time, does not produce the usual critical essay. He has said that he is "not a writer of prose," and the texts included in Cuts - the most comprehensive collection of his writings yet published - appear in a wide variety of forms that are pithy and poetic rather than prosaic. Some texts are statements, many of them fifty words or less, written for catalog entries and press releases. Others are Socratic dialogues, interwoven statements, or in the form of questionnaires and interviews. Still others are letters - public and private, lengthy missives and postcards. Some are epigrams and maxims (for example, on Damian Hirst: I DON'T FEAR HIS SHARK. I FEAR HIS FORMALDEHYDE) and some are planar poems, words and letters arranged and rearranged into different patterns. They are organized alphabetically by subject, under such entries as "Art and Capitalism," "Childhood," "Entropy (After Smithson)," "Matter," "My Work," "Other Artists," and "Poetry," and they include Andre's reflections on Michelangelo and Duchamp, on Stein and Marx, and such contemporaries as Eva Hesse, Robert Smithson, Robert Morris, and Damien Hirst.
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