ВУЗы Москвы, ВУЗы России
ГИТИС Российская академия театрального искусства - Общая информация

Театральные ВУЗы Москвы
Российская академия театрального искусства - Общая информация

 

Российская академия театрального искусства—ГИТИС (сокращенно РАТИ-ГИТИС) – крупнейший театральный вуз в Европе и один из крупнейших в мире. В ГИТИСе учатся студенты почти всех специальностей, связанных со сценическим искусством: режиссеры драмы, музыкального театра, эстрады, цирка, актеры этих же направлений, театроведы и балетмейстеры, сценографы и продюсеры. Такое разнообразие специальностей на 8 факультетах плодотворно сказывается на подготовке студентов, которые, начиная с первого курса, существуют в атмосфере сотрудничества между мастерами разных театральных профессий, что значительно облегчает им самостоятельную карьеру после окончания учебы. Театр «ГИТИС» на 200 мест – это первая профессиональная площадка студентов, где начинающие режиссеры, актеры и сценографы пробуют свои силы; нередко спектакли этого театра становятся весьма значительным событием театральной жизни Москвы и ставятся знатоками в один ряд с работами признанных мастеров.

 

Универсальность профессиональной подготовки – изначальная черта ГИТИСа, который на протяжении всей истории своего существования сосредоточивал в своих стенах обучение в трех важнейших областях театрального искусства – драме, музыке и хореографии, и уже в 1930-е гг. ввел вузовское обучение театроведению и менеджменту в сфере искусств. Наряду с профессиональной подготовкой, сегодняшние студенты ГИТИСа получают гуманитарное образование университетского типа. Это открывает перед выпускниками широчайшие возможности приложения своих профессиональных знаний и навыков.

 

Свою историю ГИТИС ведет с 1878 года – с момента основания музыкальной школы Шостаковского, ставшей в 1883 г. Музыкально-драматическим училищем, в 1918 г. – Музыкально-драматическим институтом, в 1920 г. – Государственным институтом музыкальной драмы (ГИМДр), в 1922 г. – Государственным институтом театрального искусства (ГИТИС), в 1925 – Центральным техникумом театрального искусства (ЦЕТЕТИС), в 1931 г. – вновь Государственным институтом театрального искусства (ГИТИС), в 1991 г. – Российской академией театрального искусства–ГИТИС (РАТИ-ГИТИС).

 

Важнейший творческий принцип подготовки в ГИТИСе – гармоничное сочетание педагогических традиций и театрального новаторства. С одной стороны, ГИТИС строго хранит заветы школы своих основателей (в ГИТИСе преподавали Немирович-Данченко, Собинов, Мейерхольд и многие другие), а с другой – он открыт театральным веяниям сегодняшнего дня. Подобное сочетание традиций и новых подходов в истории ГИТИСа выражалось в том, что этот вуз первым в мире вводил высшее обучение многим новым специальностям: в 1920-е годы – режиссуре драмы и музыкального театра, в 1930-е – театральному менеджменту, в 1940-е – хореографии, в 1960-е – режиссуре эстрады и т. д.

 

ГИТИС как театральная школа уникален именно тем, что он не связан с эстетикой одного конкретного театра, но сам дает начало многим новым театрам не только в Москве, но и по всей России (таким как Камерный музыкальный театр под рук. Б. А. Покровского, Театр «Табакерка» под рук. О. П. Табакова, Театр «Мастерская П. Н. Фоменко» и др.). Поэтому в ГИТИСе сегодня преподают признанные мастера театра, придерживающиеся самых разных творческих принципов: М. А. Захаров, В. А. Андреев, М. Е. Швыдкой, С. В. Женовач, С. Б. Проханов, В. В. Раков, С. Н. Арцибашев, Л. Е. Хейфец, А. Ш. Пороховщиков, А. В. Бартошевич, Б. Н. Любимов, И. Л. Райхельгауз, Д. А. Бертман, Р. Г. Виктюк, И. Н. Ясулович, В. П. Маторин, Ю. П. Любимов, Е. П. Валукин, М. Л. Лавровский, В. Б. Гаркалин, Ю. М. Орлов, Г. Г. Дадамян, Д. Я. Смелянский, С. М. Бархин, Н. И. Нестерова и многие другие.

 

Залог сохранения традиций ГИТИСа – в непрерывной преемственности творческих принципов от учителя к ученику. Бoльшую часть педагогов ГИТИСа составляют его ученики, которые, пройдя путь самостоятельной театральной карьеры, возвращаются в alma mater (как в свое время Мейерхольд и мн. др.), чтобы нести в будущее традиции школы, обогащенные дыханием современности.


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